The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far. Dave Stimple, an unfocused mattress store owner, is having issues connecting with everyone around him. He arrives at the shop one morning to find the local health and safety people have shut him down. Bugs, huge bed bugs and lots of complaints are cited as the reason. Dave is really confused and his relationships with his wife, friends, and his own humanity seem to be devolving and increasingly distracting anomalies begin to take over his reality. But his issues may not be as internal as they seem. 20世(🖇)纪福(fú )克斯最(😬)近买下了Alma Katsu下部(🎪)小(🙄)说(shuō )《饥饿(è(🏵) )》（(📭)The Hunger）的电影版(🕌)权(👘)，这部小说以(🎩)《行(🏃)尸(shī )走肉(ròu )》的(👕)风格叙述了北(💀)美历史上最恐(kǒ(🧞)ng )怖(bù )的一(yī )段(🌞)“食(shí )人”历史。 The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people. ４(🐼)K/8Kの高解像度(dù(🙌) )による大型(xí(🖥)ng )映(yìng )像をはじ(🥃)め、CMやPV、テレ(🌰)ビ番組、さら(⛪)にはwebクリエイ(🛋)ティヴ・デザ(😳)インやグラフ(⬅)ィ(🕗)ック方面で(💶)も(⚽)活躍するIMAGICAイメ(🐗)ージワークス(🍬)と、『ALWAYS三丁目(🎱)の(🌱)夕日』シリ(🔑)ー(🍀)ズや『永(yǒ(📏)ng )遠(🉑)の０』など(🔳)の(🏮)大ヒット作で(🏳)知(zhī )られる映(🍋)像制作集団ROBOTがタ(🦇)ッグを組んで(🚒)、子(zǐ )どもの(📯)ころに見た夢(💬)を失いながら(🚨)大人(rén )になり(🔟)、多忙を極め(🐿)て久しい現代(🤟)人の心に、か(🌴)つてのあの“想(🤤)い”を蘇らせる(🍥)SFフ(🙂)ァンタジー(🙀)！ Brij Mohan (36), a hosiery shop owner in a busy Delhi market, desperately wants to change his life. He is fed up of his ball-crusher wife and mounting debts. In order to escape his wretched life, he changes his appearance and adopts a new identity as Amar Sethi, but ends up committing a botched up murder. He runs off with his young girlfriend, hopeful of making a new beginning. Instead, as luck would have it, he finds himself trapped in a web of his own Karma. 《驴(🏧)为媒》故事发(fā(💏) )生在当(dāng )下鲁(🍵)西(xī )大地上的(🥘)聊(🥋)城市，讲述的(🔲)(de )是(🔤)在京(jīng )打拼(🕌)(pī(🈲)n )多(duō )年的有(💀)志(🙊)青年，得知老家(💳)惠民政(zhèng )策后(hòu )，回乡养驴、带(🌈)领村民脱贫致(🏎)富(fù )，实现(xiàn )自(🔠)(zì )己创(chuàng )业梦(🌟)，并赢得爱情的(⚾)故事(shì );讲述了(🚶)(le )党的精(jīng )准扶(🏅)贫政策和乡村(🧔)振兴战略在齐(💻)(qí )鲁大(dà )地(dì(❄) )的生动实践，展(⛲)现(💿)了基层党员(🛌)干(📭)(gàn )部在(zài )全(quá(😮)n )面建成小康社(🔠)会进程中的“主(⭕)(zhǔ(🛵) )心骨”形象。电(🚄)影(🐱)《驴为媒》坚持(➿)“小(🔋)(xiǎo )成本、大(🗒)情(✅)(qíng )怀(huái )、正能(🦔)量”的创作宗旨，紧扣当(dāng )前乡(xiā(👸)ng )村(cūn )振兴和精(🏽)准扶贫主题，将(📂)社会(huì )效(xiào )益(🔏)、价(jià )值引(yǐ(🥌)n )领放在首位，引(🏜)导人们努(nǔ )力(🔸)实现(xiàn )个人前(🧔)(qián )途与国家命(🌸)运、个体经历(🚙)与时代(dài )大潮(🛩)(chá(🐲)o )、个体情感(⛱)与(🗣)国家情感的同(🐎)频共振(zhèn )，激(jī(🐉) )励(lì )人们向上(🍩)向(📧)善，自觉践行(😍)社(🚿)会(huì )主义核(🤔)(hé(🙇) )心价值(zhí )观(♉)，讴(👱)歌党、讴歌人(🐽)民、讴歌新(xīn )时代(dài )。 查理和布(🦌)希這兩名熱衷(🖐)靈異事件(jiàn )的(🔏)追(zhuī )鬼(guǐ )狂熱(🎺)者，只要哪裡鬧(🕙)鬼就能見(jiàn )到(🐼)(dào )他們(men )的(de )身影(〽)(yǐng )。兩人對於全(🐲)美最凶的靈(lí(🕉)ng )異地點(diǎn )「悲(🛀)慘(cǎn )山」公路(🕘)深(🌻)感著迷，當然不(🥦)可能(néng )輕易(yì(♋) )放(fàng )過這個捕(🚠)捉鬼影的難得(🔕)機(🐼)會。而(ér )兩人(🙂)(ré(🍎)n )在(zài )抵達當(🌝)地(🔅)後，也接連目睹(🤪)各種(zhǒng )離奇詭(🦅)(guǐ )異的超(chāo )自然現象。 When a Foster Home is stricken by tragedy the few remaining children make a pact to always keep in touch. 子どもに(🔛)夢を与え、想(㊗)像(xiàng )力(lì )をは(🥨)ぐくむコンテ(🚋)ンツ作りをめ(🔉)ざして、キャ(⏸)ラクターアニ(♐)メーションを(🦖)中(zhōng )心(xīn )にデ(🔴)ジタル絵本や(🔶)ARといったアプ(🥍)リ(🆎)などを通(tōng )し(🥙)て、エンタメ(💽)から知育まで(😁)幅(fú )広く活(huó(🍿) )動(⛓)しているス(💦)タ(🔗)ジオななほ(🌅)し(☝)が、ジャンル(🍷)やメディアを(📱)問わず、ものづくりを手(shǒu )掛(🚖)けるウサギ王(🐻)と制作。どこの(⚾)家にもある縁(☔)起物たちと、(🆓)彼らが動くさ(♍)まを見た子ど(🎏)もたちとの交(🥇)流を、躍(yuè )動(🗜)感(gǎn )いっぱい(👄)に描いたドタ(🚟)バ(🖥)タコメディ！